Yesterday, as I was driving to pick up TL for racketball, "Hero" by Steve Taylor came up on my playlist:
I began thinking of my work, my story, my desire for a Ph.D. and my need to hone down my topic. I don't remember when I first heard Taylor's song, it was a long, long time ago. It immediately struck a chord with me. Growing up, I always wanted to be a hero. As an adult, I always wanted to be your hero. I wanted to be a hero to everyone close to me. I knew that if I could be a hero, I'd be loved; I'd not merely be me.
So, I've gotten lost in stories of heroes. As I got older, my heroes became more nuanced. And, my understanding of the "hero's journey" has also become more sophisticated. Joseph Campbell identified the Hero's Journey back in 1949. Writers have used his template to create hero stories ever since. While countless people have written on this topic, I am using the template from the people at the Reedsy Blog (https://blog.reedsy.com/heros-journey/) to make writing this easy.
As I drove to pick up TL, I began to think of the Hero's Journey in light of the Jesus story and many other Biblical Stories I grew up idolizing. My phraseology in the last sentence is incredibly important. I idolized the stories. I unconsciously defined salvation as, "becoming a hero." I had to be a hero! My graphic novel bibles took me to places of fantasy around the biblical stories. Now I wonder, if these incredible stories end up being twisted in our souls and are given death by Evil to create more shame than light.
The hero's journey starts in the ordinary; what Reedsy calls, "the mundane." It is the phrase, "I was born a poor child..." Jesus was born in a manger and laid in a cow trough. King David was rejected and was a shepherd doing the most humble of tasks. Moses was born to a Jewish slave family and hidden in the weeds. Gideon was cowering from fear. Ruth was a Moabite of no repute. Rahab was a hooker. Mary was a simple girl betrothed to a carpenter or stonecutter.
After humble beginnings, there is, " a call." In the Jesus story, this occurs at his baptism, "This is my Son, with whom I am well-pleased." Following the call, there is traditionally a rejection of that call. Think of Gideon and his requirement of a "fleece." The Jesus story doesn't have this traditional "rejection." However, think about how the different writers set up His story. Everyone knows he is the Messiah from his virgin birth, royal lineage. Questions arise though when Herod sends troops to kill all the male children under two. Remember Moses' story and Pharoah doing the same thing? Mary, Joseph, and Jesus become refugees, escaping to Egypt. So, there is that interruption and threat to the call. But then, after the call, Jesus doesn't start teaching and calling his own disciples immediately, He goes into the wilderness where he fasts for 40 days. At the end of His time in the wilderness, Satan comes and tempts him three times. These are temptations that we use to reject our own calling. Only Jesus doesn't reject the call because he is the "first among heroes." As I am thinking about this, I am thinking this is one of the first places that boys trying to be a hero in the vein of Jesus begin to face their own shame, and then begin living out of their shame.
The next step in the Hero journey is to meet the mentor who will help the hero overcome and then there is an event where the curtain is pulled back and they enter into the arena, seen as the hero that they were born to be. In the Jesus story, the mentor is the Holy Spirit who descended on Jesus like a dove. She becomes the connection point for Jesus through the rest of the gospels.1 John makes note of Jesus' stage entrance. This is the famous event where Jesus turns water into wine at the wedding. The miracle serves as an announcement to the reader, Jesus has accepted his role as a hero
Stage six is typically the bulk of the hero story. It is where they find allies, discover their enemies and the obstacles they must overcome and develop the close friendships that will help them cross the lexicon. In the Jesus story, this section involves the calling of the disciples and the Pharisees and Sadducees' introduction as the villains of the story. It involves Jesus casting out demons and healing the sick, the lame and the blind. It includes his teachings and personal interactions. John's gospel is different here because his longest section comes next.
The next section is where the hero approaches his biggest fight, drawing close to their own personal crisis. For Jesus, this is the last week of his life, where he knows he is about to die and he doesn't like it one bit. In the Church, we remember this time in Jesus' life as Holy Week -- the week leading up to Good Friday and Resurrection Sunday. You have to feel this movement. It is where you come face to face with your humanity and brokenness. It is the part of our story where we have to choose to walk through our fear. It is the place that courage is most seen and felt. In many ways, it is the place where we see ourselves becoming or failing in the hero journey. the question here is, "Will he push through? Will he make it?" It is not the moment of crisis, but the foreboding before the crisis.
In the Jesus story, the crisis comes in his arrest, trial, betrayal, and crucifixion. This moment is the reason for his existence. In it, there is no glory -- only defeat and hopelessness. This complete defeat is perhaps the reason the Jesus story stands above all other stories. He dies defeated. And, with his death comes complete despair, emptiness, and darkness.
But, in a hero's story, there is a moment of triumph. In the Jesus story, it is resurrection - an empty tomb. The restoration of hope and life, not just for him, but for the world he came to save. He wins!
Or, does he? In hero stories, there are roads left to travel. There is often an awakened enemy or incompleted business. In the Jesus story, the gospel writers - indeed the writers of the rest of the New Testament believe that much of this road is to be walked by those who follow the crucified, risen Messiah. We are told that we are his reconstituted body that is to finish the work he set out to do. We are to be his hands and feet for a broken world. So, in the Jesus story, we are in this part of the story. The story is still being written. Complete resurrection won't occur until we experience it personally. Once we have, Jesus is promised to return to create a new world void of pain, suffering, and death.
Why does this matter at all? In my thinking right now it matters because as we tell the story boys, in particular, are left yearning to be a hero they cannot be. We all want to be just like Jesus. Those of us who feel this calling most, often become pastors. The struggle is that we know ourselves to be frauds; and/or we work to create our own deaths in order to imitate Jesus' hero journey. We have to fail and be resurrected to be like him. So we unconsciously destroy ourselves to become the hero we know we are to be. This twisted idea of wanting to be a hero in the mold of Jesus comes from a place of shame rather than a place of holiness or a desire to be in relationship. We call out for resurrection, hoping to be found worthy of being the hero we long to be. Listen to the echoes of this in the words of Todd Agnew:
1. Please note that the Spirit is nearly always referred to by the biblical writers with female words in both Hebrew and Greek. Sometimes it is hard because in English we don't have feminine and masculine words like in Spanish or Hebrew or Greek. If a man is my friend and I speak Spanish, I refer to them as "mi amigo." If a woman is my friend in Spanish I refer to her as, "mi amiga." In the same way, the language used around the Spirit is nearly always feminine. The language around the Father is nearly always masculine. So when I refer to the Father, I use masculine terms; when I refer to the Spirit, I use feminine terms, and when I refer to the Trinity I use the newly resurrected and minted, "they."
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